Tuesday, March 29, 2016

A Character Madness Interview 

With Marai bin Ahu 

From Children of the Stone 

By Mary Woldering

Tell us about your story 
I'm just a simple man, devoted to my goddess, but every since the night the stars sang, things have become complicated.

What part do you play in it? 
I move through all of the pages.

Is it scary or a love story? 
There are scary parts, but more love, because it heals all things.

Have you heard any good gossip lately? 
I don't really listen to any. The woman downstairs is cheating on her husband. Her last child wasn't his, but he refuses to see it.

If you could be anything you want to be, what would you be? 
Happy, maybe with a small business or a plot of land for sheep or goats. I'd love to have my wives with me too.

To see my increase.

Where would you live? 
No real preference. I would like a place where life and survival isn't a struggle.

Where do you live now? 
Ineb Hedj (that’s near modern day Cairo, Egypt for my 21st century friends)

Do you have a boyfriend/girlfriend? 
I have three wives.

What would they think about the change? 
Two wouldn't mind. Deka still wants to go to Ta-Seti and discover her forgotten past.

Does your fur mat and pull? I was just wandering because I have a mat right now and it really hurts. 
Fur? No.

Who is the scariest person in your story? 
Scary? I'm not sure if he is scary, but I really don't trust Count Prince Hordjedtef

Who is the happiest? 
Hard to say. We all have our moments.

What’s your author like? 
A dreamer. She's a little disorganized, a lot like my wife Ari, but not as rambunctious.

Do you think she portrayed your part well? 

Does she sleep as much as Jena does? 
I don't know how much this Jena sleeps. 

Do you have any pictures to share? 
Of me? She has a picture of this actor named Jason Momoa she thinks could play me if we made a movie, but my hair is different and my skin is a little darker. Let her know if you want this Jason picture. There are pictures of the 2 book covers and some of her drawings.

Thursday, March 17, 2016

Hurdles in Writing: What About Voice

Voice - What is it?

Like poetry, all writing has a cadence, a rhythm all it's own. The flow of sentences becomes your voice, and when the flow is disrupted, you can hit a discordant note.

While this is an accurate description, voice is not as easy as it sounds. I believe in the Author's voice. When you pick up your favorite author's latest novel, you have an expectation, and that expectation is what separates that author from others. It's their voice. You know it, without even realizing it.

There are many facets to the craft of storytelling, and most if not all are valid in some form. As I've said before, I don't believe in rules. I am an artist, and how I write my story is a blend of my craft and voice. Not only my voice, but the character's voice. Tricky huh? They are not the same.

I will use repetition to emphasize a point, and so far, I've been applauded for it. I don't do it often, but there are moments when it can raise the level of tension. There are times when filter words smooth a sentence, or even maintain the rhythm. Removing all the filter words, or as many as possible, is great when you want to build tension, but in romantic moments, longer and smoother usually works better.

Here are a couple of the hurdles I've experienced and seen.

- We all want to be the best writer we can be, and I believe voice to be a huge part of that, but never use voice as an excuse when someone is critiquing your work. I've seen this a lot, especially with new writers. Writing is a simple as putting pen to paper, or fingers to keys, but making it something people want to read usually requires more work.

So, how do you know when it's your voice, or something you need to work on? By knowing your voice. Be familiar with your rhythms. Reading your work, or having it read back to you will usually show your voice, and any discordant notes.

I used to critique someone who used adverbs in almost every sentence. The first couple of chapters, I pointed it out, and explained that they often weaken a sentence. He continued using them, so I stopped the lecture, because I knew he made a decision to use them. He wanted a traditional publisher, so when he finished his book, he queried, and since the storyline was good, he received requests for the manuscript. They all declined, based on the abundance of adverbs. Was this his voice? Apparently not, since he later removed them. As a reminder, I don't believe in rules. I use adverbs on occasion.

Another example was when I was working on Veiled Memories. I made so many changes to a chapter that my voice had been completely critted out of it. I couldn't figure out what was wrong, so I asked a critiquer who knew my voice for help. It took her ten minutes to find the areas I needed to change. This is why you need to know your voice. I had a lot of trouble with this when I first started writing, but I don't change things just because a critiquer said to anymore. It's your manuscript. You are responsible for the end result, and your name will be on the cover.

- My voice vs character voice.

When I first started writing, I didn't understand the difference in character voice, although I was doing it naturally to some degree. This is another area where you need to be careful. When writing in first or second viewpoints, most, if not all of your book, should be your main character's voice. When you're writing in another point of view, there will be your voice, and character voices.

Even after years of writing classes, I didn't understand that the character voices 'should' be different. Does Batman sound like Robin? Darth Vader vs Hans Solo. They don't sound like the writer, and they don't sound the same. Extreme examples, but I know most everyone knows these voices.

This was never an issue for me except when people corrected poor grammar in dialogue, or trimmed the longer sentences of the more articulate speaker. Many people use poor grammar when they talk. It also became a problem when I wrote The Carriage. I had two teenage girls, with different personalities. I had to constantly remind myself of the differences between them, and again, critiquer's tried to correct the grammar of my most obnoxious girl. I didn't have this problem with the brothers in the story. They were far more black and white in their differences.

So know your voice, and play back your work. I use Text Aloud, but there are other programs that will read your work back. And, pay attention to your critiquers. Know your voice, but don't use it for an excuse to not correct things or learn something useful. Think out what people say and make educated decisions, not emotional ones.

Tuesday, March 8, 2016

A Friend Asked Juliette for a Character Reference
For Jena Baxter
Here's What she Said.

Juliette sat under the apple tree. A character reference for Jena. Why would anyone trouble me for such a thing? She smiles. "I guess I do know her best though. Who better than her most abused character? I have plenty to say." 

She takes a bite of an apple and shifts pages as she chews, then grabs a blank piece of paper and pencil. "However should I begin?" She sets her pen on the paper, and begins to write.

Dear Sirs,
My name is Juliette Barrows and I am the main character and Heroine, in Jena Baxter's greatest story, Reflections.

She pushes the lose hair from her face, smiles, and tosses the apple.

I'm not certain how to say this, but Jena is a masochist, who thrives on the pain of those beneath her. Take me for example. I'm thrown into a magical world all alone. Not even one servant to attend to my needs, and there are weird, mystical creatures there too. 

While I admit, these creatures are now my dear friends, it does not excuse Jena Baxter's actions. I've had wolves attack me, a mob hang me, and my best friend wouldn't speak to me for almost a year. All because of Jena. 

Why would an accomplished Author treat her characters so cruelly? And it isn't only me she's abusing.

In The Carriage, she sends a woman to the past, and almost starves her before sending her to a mental institution. 

What kind of mind dreams these things up?

In Veiled Memories, Jena sends a handsome angel to hell after he saves a small child from a horrible fate. The angel's bonded brother then becomes her new focus of torture. He's always grieving and in trouble, and on top of that, he has to live with unrequited love.

I don't speak to the Pretentious characters often, since they are from a different era, and somewhat wild for my tastes, but the main character's father actually dies before the story even starts. 

Are you seeing a pattern here?

Silas is her next victim. So far, she's back to abusing the heroine of The Carriage in that story, but Silas tries to hide because he knows of her cruel tendencies.

With the aforementioned in mind, I cannot recommend Jena for anything short of a sniper, guard, or prison warden.

Sincerely Yours,
Juliette Barrows

PS: I'll be starting a gossip column soon. Be sure to watch for it.